From February 1907-1967 Howard appears touring British variety theatres widely as a singer and within the year as a smart dancer, sand dancer (London, Bradford, Walsall, Bath, Carlisle etc). ‘Puts in one of the most strenuous ten minutes’ pieces of work we recall. Some of his steps compare favourably with lightning, so rapid are they.’ (MHTR 10/06/1909), Howard ‘astonishes with his untiring energy and his weird steps’ (MHTR 13/12/1909, 13). These kinds of references occur throughout the period – he clearly worked with both dance and comedy and was referred to explicitly in racially offensive terms. In 1922, he produced Going Some with a Syncopated Orchestra with Lewis Hardcastle.
There is also a Black drummer called Amos Howard who is potentially the same person, since he was part of the Going Some company.
In 1926 he went into he is listed as a partner in a business venture with Emmerson, Stockwell Productions. That note lists his address as 35 Camberwell New Road, in South East London. His company produced Still Going Some with Lewis Hardcastle, Flossie Pearce and Pepita Graham, and later Eddie Emmerson. He was in variations of this production until 1929, with a particular partnership with Hardcastle. He performed with Johnny Nit in a 1930 touring revue. He was also in the Lew Lake’s Blackberries of 1931 company, one review noted his ‘brilliant dancing’ (The Stage, 09/08/1931, 8). This was the point he potentially retired, as no clear mentions can be found subsequently.
Howard is mentioned in Black British Jazz: Routes, Ownership and Performance by Jason Toynbee, Catherine Tackley · 2016.
Rye, Howard. “Showgirls and stars: Black-cast revues and female performers in Britain 1903-1939.” Popular Music History 1, no. 2 (2006).